Kandeda...
Interesting advice...LOL...
considering the what I am working with is a huge diary compounded into a year map on a spiralling canvas that acts like a calender for the days to record. Its sort of like a big spinning dairy!!! Aside from that I have 3 types of dairys... the day tracker, the portal, and the typical. I have already breifly described above the portal!!! The typical diary is just as u said... some reflective thoughts at the end of the day- I trust that u are familiar with this type of diary. The day tracker is sort of an emotionally detached technical dairy were I record things most others take for granted...did I brush my teeth? Am I eating rice or corn? What did I do and at what time? I need it because I cannot compound a typical diary into a sacred geometric langauge, for this I need the day tracker!!! I still include my feelings, but I don't need to record them, they remain etched in my memory longer then the details- and their information is encoded in the count and the color- very distinct!
Of some interest...I needed to record and build a palette of color to complete my new code!!! It has been very difficult. The palette is divided into two regions, one records the general tendency of color mixing in form-paints, powders, liquids, even thick gasous clouds- all crystalized producers of color!
This isn't too difficult, unless one isn't contempt to call blue blue- and distuinguishes stoneflower blue from azure blue. Then it can get trickier!
Then comes the hard part!!! The second region of the palette describes the tendencies of the intangible world of color mixing- reveiling wave mixtures. This would be easy if I simply used the code of light...(red+green=yellow),
but I needed especially the palette on how colors mix in a spin. I purchased I little fan, transformed it into a spinning maching, and created over 50 wheels containing color mixtures (red & green, blue & red, etc.) and then spun them to see what colors they make.
I have spent the last several days observing, seeing colors qualities I've never seen in my life before!!! They take on a milky pureness- becomíng illuminated and more vivid. They are very hard to classify because they seem to change from on minute to the next, and the angle of observation is very important, as is the lighting. As the wheel spins faster, the colors become brighter...more illuminated...reaching new shade values and change...blue and yellow go into a pale green- I beleive they turn into a white with the faintest value of green when spun even faster. It will take time to extract the exact formula as to how their values change in accordance to their RPM value. Plus...they almost seem alive???
Why all this about color?...because it is one of the 3 aspects of the triad method of coding...numbers...shapes...colors. During the intitial phase of operation I focused on numbers and shaped. I need to now what to expect when two seperate colors fuse into one at spin- and now I have an approximate palette! There are other behaviors I must soon start to classify- how the patterns change at different speeds, rings expand-overlap, fuse, and vannish, the black hole in the center shrinks (under certain conditions) and flips to its opposite...a white hole expanding!, the waves rocking back and forth, the RPM level of sudden stabilization...(my guess at the moment is around 600), and more! Because I can find no information about this anywhere I have to get it myself...not easy!
Now I pose u a question....Kaneda.
I find that it is totally impossible to describe the phenomena of color using only 3 dimensions, even though it is a quality of light, a box (3d) is simply not enough to include it. I have been searching for days for the symmetry of color and finally I can vaguely see it in my mind, and it is clear that although it is governed by a interspacial wave measurement, it is something that has no real shape!!! Then its dimensional value is greater then 3!!! I don't even think 5 dimensions are enough to produce it- that what I call the 5th dimension of light is merely a carrier and transmitter of this stuff called color...it filters.
This is extremely difficult to describe- if you spend maybe 30 days looking at over 3000 sites and sources of information regarding electro-magnetic energy- reading and reveiwing every picture- you'll understand why.
So my question is this then...I believe that color cannot exist in a static universe...the 13 mother dimensions are colorless and totally invisible to any eye...period. In the relative 26 children dimensions of the universe of change they are experienced!!! I haven't focused my mind on this 26 dimensional realitie so much, so I can't say where they materialize...Walter Russel writes that the 15th dimension is that of color.
If u had to describe colors in the terms of 3 dimensions...how would u do it?
Could it be done? Without a mind to interpret...could we say that colors even exist? If the mind interprets, reflecting a holographic image of the forms encoded in the light, that hologram could not be experienced if it was merely form, it needs a minimum of some sort of shade value- the monochromatic scale- to convey any information at all...form covers the 3 dimensions- but form does not cover color (or even shade). U don't have to have an answer...its merely something to consider!!!
By the way...the code is 99.9% finnished...I will begin within the week!!!!!!!!!
Happy New Year (if the gregorian time system is your time guide),
Jozen-Bo