Liverpool Street
In the genie’s smokeless smoke
what dreams are made on sugar
spoons. Take it to the lighter
flame and cook in life so bright
that it will flutter the nerves in a
corpses eye.
Eyes of faded acuity blurry,
brutal and fixedly bright. Stare
myopically from the Masonic
Hall’s steps on Liverpool Street
each night.
Would the Great Architect on
finding his porch thus purloined
by the panderer of the gathered
daughters of the spoon and lancet.
Do battle with this sweaty smack
addled track pants wretch?
Would his Square, really be the
square measure of virtue, and
would his Compass circumscribe
their desires and keep their passions
within due bounds?
On the other hand, would he be
better served to stick it in and
twist it around and round again?
To reclaim the peace and
harmony his aproned fraternity
expounds.
The Architect is silent. As the
banshees gather round; their
conversation is profound.
It’s of stashes and fixes and
terrestrial bounds.
Of money and mayhem all
croaked and echoing under
the Doric naves.
Later, that night one whimpers
from an alleyway, “He took my
money,” As she beats her fists
on the sticky ground.
Repeatedly like a shaman’s
chant except to manifest her
change. But the pimp is
gone, and the residents
don’t care; they don’t won’t
whores around.
She’s gone in the morning
and as the Masonic sweeper
does his rounds, the dead
needles of the night are
carefully plucked from the
grounds.
A Dead lighter, a burnt
spoon and stained tissue
balls abound.
As the final needle via
a latex glove is removed.
One heroic drop falls from
its bloody dregs. An
offering to the Architect of
shared syphilitic cruor now
woven with HIV.
It evaporates smokelessly,
like genie wish; jaded
breath inhaled again in the
fluttering of a corpses eye as
the garbage truck arrives.
In the genie’s smokeless smoke
what dreams are made on sugar
spoons. Take it to the lighter
flame and cook in life so bright
that it will flutter the nerves in a
corpses eye.
Eyes of faded acuity blurry,
brutal and fixedly bright. Stare
myopically from the Masonic
Hall’s steps on Liverpool Street
each night.
Would the Great Architect on
finding his porch thus purloined
by the panderer of the gathered
daughters of the spoon and lancet.
Do battle with this sweaty smack
addled track pants wretch?
Would his Square, really be the
square measure of virtue, and
would his Compass circumscribe
their desires and keep their passions
within due bounds?
On the other hand, would he be
better served to stick it in and
twist it around and round again?
To reclaim the peace and
harmony his aproned fraternity
expounds.
The Architect is silent. As the
banshees gather round; their
conversation is profound.
It’s of stashes and fixes and
terrestrial bounds.
Of money and mayhem all
croaked and echoing under
the Doric naves.
Later, that night one whimpers
from an alleyway, “He took my
money,” As she beats her fists
on the sticky ground.
Repeatedly like a shaman’s
chant except to manifest her
change. But the pimp is
gone, and the residents
don’t care; they don’t won’t
whores around.
She’s gone in the morning
and as the Masonic sweeper
does his rounds, the dead
needles of the night are
carefully plucked from the
grounds.
A Dead lighter, a burnt
spoon and stained tissue
balls abound.
As the final needle via
a latex glove is removed.
One heroic drop falls from
its bloody dregs. An
offering to the Architect of
shared syphilitic cruor now
woven with HIV.
It evaporates smokelessly,
like genie wish; jaded
breath inhaled again in the
fluttering of a corpses eye as
the garbage truck arrives.